![]() It was recently-and deservedly-nominated for two Oscars, Best Achievement in Makeup and Hairstyling and Best Achievement in Costume Design. A year ago, March 2020, there was a new version of “Emma.” directed by Autumn De Wilde, and it was officially the last film I saw in a theatrical run. The main characters seem to go through this Jungian journey where they’re able to see themselves and their behavior and make a correction. There’s a lot of introspection that takes place (including incisive observations about social customs and principles). What I find most compelling through her oeuvre is how her heroines gain a greater knowledge about who they are. If there has been one author who has inspired and comforted me through difficult periods it has got to be Ms. I’ve read all of her comedy of manners novels a few times and devoured the film adaptations (and a TV one starring Colin Firth!). I have been inconsiderate, and indelicate, and irrational, and unfeeling.”įor someone who is not fond of romantic comedies, I am obsessed with Jane Austen. She is further expanding her directorial career with the upcoming feature film, Goodbye Felix Chester, a YA dramedy produced by Anonymous Content.Emma: “I have been unpardonably vain, and insufferably arrogant. And for years, she has documented the couture design team behind fashion brand Rodarte. Her photography has graced the covers of fashion and lifestyle magazines, BlackBook, New York Magazine, Flare, PAPER, Stylist, FILTER and L’Officiel. She has also authored the books Elliott Smith, an in-depth look at the late artist through photographs and recorded conversations Under Great White Northern Lights, documenting the White Stripes on the road during their Canadian tour and Beck, a chronicle of her 16-year friendship and creative partnership with musician Beck Hansen.ĭe Wilde’s creative eye extends to fashion, as well. ![]() ![]() Her photographs of Beck, Yeah Yeah Yeahs, Jenny Lewis, The White Stripes, Fiona Apple, Elliott Smith, Norah Jones, Sonic Youth, Wilco and many others have appeared as album covers and editorial spreads. She has shared a particularly fruitful collaboration with some of music’s biggest artists, directing music videos for The Raconteurs, Spoon, Jenny and Johnny, and Death Cab for Cutie. She has also written, directed, and shot brand films for Oliver Peoples entitled, Catch a Tuesday, starring Zooey Deschanel, and The Children Are Bored on Sundays, with Elijah Wood and Shirley Manson. Her short film collection for Prada, The Postman Dreams, was featured in Vogue and honored by the London International Awards and Berlin Fashion Festival. Each of her projects is an intimate collaboration between her and her subjects, and through her music videos, commercials, books, portraits and films, she has defined the visual identity of some of entertainment’s greatest talents.ĭe Wilde effortlessly blurs the line between art and advertising, combining her contemporary pop style with a distinctly commercial feel, which can be seen in her latest, the quirky, dance-heavy spot “Move” for Uniqlo Keds’ whimsical print and on-air campaign, featuring Allison Williams, which she photographed and directed and the retro, French-accented campaign she helmed for Yoplait. Director and photographer Autumn de Wilde documents the ever-changing cultural zeitgeist.
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